Bhala Thandanana Film Assessment: This semi-targeted thriller suffers from weak plot turns
Solid: Sree Vishnu, Catherine Tresa and some others
Director: Chaitanya Dantuluri
Operate-Time: 134 Minutes
Score: 2/5
A felony who has illegitimately amassed hundreds of crores exists. The hero claims that the prosperity the negative guy has mopped up is the resource of the electric power he wields. A important character is bowled around by the banality uttered by the protagonist. The movie expects the audience to cheer the hero’s kindergarten-degree observation that is handed off as a reality bomb. That is ‘Bhala Thandanana’ for you, a prosaic thriller whose twists are twists only in a parallel universe.
Chandu (Sree Vishnu) desires the planet to feel that he is a modest commoner wooing a attractive crime journalist (Catherine Tresa). His phony timidity in her existence, while, is a dead giveaway. He begins serving to her out in filing a crime story by speaking about where by he saw the victim of a murder. The girlfriend, in no time, will get sucked into a website of deceit, hawala dollars, and large-profile criminal offense. It really is up to Chandu, who is no compact-time employee but has a clandestine mission in his thoughts, to complete his solution agenda.
Writer Srikanth Vissa, who will come with a tentpole strike like ‘Pushpa: The Rise’, could have penned a gripping story the place the plot turns are believable. Get the scene the place the hero tells his girlfriend-to-be that he did operate into a murdered human being a few days back. He struggles to remember wherever he observed the individual regardless of the related strange points related to the unconventional incident. This would induce suspicion in any half-baked mind but who reported our feminine potential customers have a brain.?
Mani Sharma’s music comes undone by tepid emotions (Chandu is not presented a backstory) and the outrageous placement of tracks. The article-interval tune, for case in point, is prepared into the script for no rationale.
Intrigue is sought to be built as a result of the scene wherever Sasriekha places a series of inquiries to the male lead’s buddy, played by Satya. The only character who is stunned by his replies is the heroine, for the viewers observed the twist coming substantially just before the film’s launch, thanks to the revelatory trailer.
Far too lots of specious plot turns are attempted to be substantiated by Sree Vishnu’s swag and the needlessly about-cooked slow-mo pictures. The villains (amid them ‘KGF’ fame Garuda Ram) resort to a stale playbook in executing their apparent programs (examine kidnappings) in notoriously unexciting means. The keep track of involving the heroine and her brother-in-regulation (performed by Srikanth Iyyangar) is easy. The orphanage trope is one more overused aspect.
Posani Krishna Murali is more than-indulged, with him even acquiring a 2nd-fee booze track. Srinivas Reddy appears to be outdated.
The initial portions make us hope that the film has got an edgy story in keep. All that it delivers are cheap gimmicks. Just one such gimmick is the assure of a 2nd part, for which we can’t treatment less.
https://www.youtube.com/observe?v=EYuMPCKFrW0
Also Read: Saani Kaayidham Film Review: Saani Kaayidham Evaluation: Keerthy Suresh and Selvaraghavan’s terrific performances
Solid: Sree Vishnu, Catherine Tresa and some others
Director: Chaitanya Dantuluri
Operate-Time: 134 Minutes
Score: 2/5
A felony who has illegitimately amassed hundreds of crores exists. The hero claims that the prosperity the negative guy has mopped up is the resource of the electric power he wields. A important character is bowled around by the banality uttered by the protagonist. The movie expects the audience to cheer the hero’s kindergarten-degree observation that is handed off as a reality bomb. That is ‘Bhala Thandanana’ for you, a prosaic thriller whose twists are twists only in a parallel universe.
Chandu (Sree Vishnu) desires the planet to feel that he is a modest commoner wooing a attractive crime journalist (Catherine Tresa). His phony timidity in her existence, while, is a dead giveaway. He begins serving to her out in filing a crime story by speaking about where by he saw the victim of a murder. The girlfriend, in no time, will get sucked into a website of deceit, hawala dollars, and large-profile criminal offense. It really is up to Chandu, who is no compact-time employee but has a clandestine mission in his thoughts, to complete his solution agenda.
Writer Srikanth Vissa, who will come with a tentpole strike like ‘Pushpa: The Rise’, could have penned a gripping story the place the plot turns are believable. Get the scene the place the hero tells his girlfriend-to-be that he did operate into a murdered human being a few days back. He struggles to remember wherever he observed the individual regardless of the related strange points related to the unconventional incident. This would induce suspicion in any half-baked mind but who reported our feminine potential customers have a brain.?
Mani Sharma’s music comes undone by tepid emotions (Chandu is not presented a backstory) and the outrageous placement of tracks. The article-interval tune, for case in point, is prepared into the script for no rationale.
Intrigue is sought to be built as a result of the scene wherever Sasriekha places a series of inquiries to the male lead’s buddy, played by Satya. The only character who is stunned by his replies is the heroine, for the viewers observed the twist coming substantially just before the film’s launch, thanks to the revelatory trailer.
Far too lots of specious plot turns are attempted to be substantiated by Sree Vishnu’s swag and the needlessly about-cooked slow-mo pictures. The villains (amid them ‘KGF’ fame Garuda Ram) resort to a stale playbook in executing their apparent programs (examine kidnappings) in notoriously unexciting means. The keep track of involving the heroine and her brother-in-regulation (performed by Srikanth Iyyangar) is easy. The orphanage trope is one more overused aspect.
Posani Krishna Murali is more than-indulged, with him even acquiring a 2nd-fee booze track. Srinivas Reddy appears to be outdated.
The initial portions make us hope that the film has got an edgy story in keep. All that it delivers are cheap gimmicks. Just one such gimmick is the assure of a 2nd part, for which we can’t treatment less.
https://www.youtube.com/observe?v=EYuMPCKFrW0
Also Read: Saani Kaayidham Film Review: Saani Kaayidham Evaluation: Keerthy Suresh and Selvaraghavan’s terrific performances
