Brahmaputra Valley Movie Competition Lights Up The Silver Monitor

With a 4-working day competition committed to cinema, the considerably anticipated eighth edition of the Brahmaputra Valley Movie Festival (BVFF) captivated viewers in Guwahati from December 14th to December 17th. Following a 3-calendar year split with the onset of the COVID-19 pandemic, the competition was back again with an unbelievable software of documentaries, short movies, and characteristic movies. For the two budding and seasoned filmmakers, the BVFF 2023 promised to be a holistic cinematic knowledge, furnishing a discussion board for instruction, networking, and inspiration.









Brahmaputra Valley Film Pageant celebrated Indian Cinema and gave their pitches to the OTT giant Amazon Prime


The 4-day festival showcased panel discussions this kind of as “Further than the Large Screen“, moderated by Murtaza Ali Khan, that featured unbiased filmmakers Sanjay Bhutiani and Leena Yadav. They mentioned issues and successes, these as Bhutiani’s “Mukti Bhawan” and Yadav’s Netflix documentary “Property of Secrets: The Burari Fatalities“. The conversation delved into the role of OTT platforms, the significance of viewers assistance, and the money realities of impartial filmmaking. Bhutiani and Yadav emphasised the need for a supportive distribution product in India, showcasing a determination to regional cinema. Inspite of worries, both equally filmmakers expressed optimism for the future of impartial cinema at the ongoing BVFF in Guwahati. Leena Yadav highlighted struggles, even with an Oscar-successful star, for her forthcoming movie “Cowgirl’s Final Experience“.


Ronnie Lahiri, an acclaimed Hindi movie producer of movies like Vicky Donor and Piku, also participated in a panel discussion at the 8th Brahmaputra Valley Movie Pageant. Lahiri emphasised that a blockbuster isn’t just about star electrical power but capturing a universal essence. He highlighted the worth of excellent over box workplace figures, shared insights on prudent film manufacturing, and encouraged Indian cinema to embrace originality. Lahiri also mirrored on his journey, urging new filmmakers to blend impartial tips with professional attractiveness for achievements. Narrates struggles, together with the Mumbai floods of 2005 washing absent his very first movie “Yahaan” and authorized problems with “Shoebite,” prior to finding achievements with “Vicky Donor“.


The 8th Brahmaputra Valley Film Festival (BVFF) marked a historic instant with the inaugural Prime Pitch session in Northeast India. In collaboration with Amazon Primary Movie, the session gained 47 numerous pitches, showcasing the artistic depth of the area. Twelve shortlisted tips were offered to Amazon Prime executives, fostering nearby storytelling and cinematic talent. Amazon’s Sahira Nair praised BVFF for its part in connecting filmmakers and delivering exposure to nearby talent. The party celebrated creativity, emphasising the festival’s vital position in advertising and marketing regional cinema publish-COVID-19. The accomplishment of BVFF and the Primary Pitch session was attributed to the focused attempts of Competition Director Tanushree Hazarika and the organising staff users, including Pallavi Chumki Barua, Samujjal Kashyap, Karma Paljor, and Bjorn Deniese.


Krishna D.K. and Suman Kumar, identified for their profitable world-wide-web series like The Family members Man, participated in a panel dialogue on ‘Mastering the Evolving Landscape of Net-Series’ at BVFF. They highlighted the require for a deep comprehension of topics in net sequence owing to their extended durations. The duo playfully cautioned versus binge-watching, urging viewers to tempo on their own. They delved into the artistic course of action, emphasising collaborative screenwriting and the episodic nature of world wide web series. Raj & DK disclosed their technique for engaging audiences and discussed their exclusive strategy to job collection, emphasising the value of honesty in crafting productive narratives. They also touched on the importance of area context in storytelling. Suman Kumar highlighted that screenwriting is a collaborative effort and hard work, transforming phrases into charming visuals and performances.









Binge Looking at is a terrible routine-Masterclass by movie director Krishna D.K


Krishna D.K. pointed out Citadel India, starring Varun Dhawan and Samantha Ruth Prabhu. Suman Kumar spoke about his directorial debut, Raghu Thatha, a Tamil movie about a woman’s struggle against patriarchy. Krishna D.K. recommended BVFF for championing cinema in Northeast India and delivering a platform for varied voices, expressing gratitude to Pageant Director Tanushree Hazarika.


The 3rd working day of the Brahmaputra Valley Movie Festival (BVFF) featured screenings of classics like Satyajit Ray’s “Joy Baba Felunath” and modern films like Shivadhwaj Shetty’s “Koramma” and Pranab Jyoti Sharma’s “Ojah the Rhythm of Life.” Documentary screenings incorporated Utpal Borpujari’s “Mask Art of Majuli” and Bobbeeta Sharma’s “Jnanada: Reflections of Light-weight and Shade”.


Engaging Q&A classes with filmmakers titled “Assamese Cinema and its Industrial Potential.” Contributors: Jatin Bora, Utpal Borpujari, Barsha Rani Bishaya, Monjul Baruah, and Shyam Bora.


Moderated by Nandini Sharma, the discussion explored challenges and alternatives for Assamese cinema and available insights into creation details and themes.Krishna D.K. performed a masterclass on “Binge Deserving Stories: The Art of Prolonged Format World-wide-web Series” Ketki Pandit’s masterclass explored “Personal to Universal: The Journey of Lived Encounters to Screen. Presented two shorter films: “Pehla Cycle” by Ritika Chauhan and “Hymns of the Forest” by Pratik Maitra. Dr. Milind Damle continued the workshop on ‘Introduction to Filmmaking,’ featuring comprehensive insights into various facets of film output.


Working day 3 highlighted cinema’s ability to transport audiences, spark meaningful conversations, and encourage creativity. Various choices and insights from business specialists left the audience enriched and eager for more.


The pageant also hosted acclaimed filmmaker Prakash Jha, who executed an illuminating masterclass, sharing insights into his cinematic journey and philosophy. Originating from Bihar, Jha reviewed his determination to portraying societal narratives, recalling the ban on his documentary “Faces Following the Storm”. Emphasising cinema’s interdisciplinary mother nature, he described it as an assimilation of sciences and arts. Jha resolved worries in socio-political filmmaking, stressing the enduring power of dialogue and inventive expression. By highlighting collaborative filmmaking, he inspired diverse perspectives. The masterclass celebrated the steady evolution of films, inspiring attendees to have interaction in impactful storytelling.


The festival concluded with a tribute to late actor Jayanta Das and showcased impactful movies like “Follower” and “Nine Hills 1 Valley”, addressing societal and regional problems. The closing ceremony honoured actress Mridula Baruah with a Life span Achievement Award. Awards have been presented for Ideal Brief Movie, Most effective Documentary Movie, Best Director, and Greatest Characteristic Movie. The festival’s enlargement integrated separate competitions for feature and documentary movies, fostering range. BVFF ended with a panel discussion and the screening of “Footprints on H2o,” promising foreseeable future cinematic enrichments.


The 8th Brahmaputra Valley Movie Competition (BVFF) concluded with a fascinating awards ceremony, celebrating excellence in numerous groups. Ronald Hussain obtained the Greatest Short Film award for “Sneakers (Neela Joota)”, while Utpal Borpujari gained Best Documentary Movie for “Mask Art of Majuli”. Manoj Shinde was honoured as the Ideal Director for the Marathi film “Valli”, and Nathalia Syam’s “Footprints on Drinking water” secured the Very best Feature Movie accolade. The esteemed jury panel, which includes Utpal Datta, Rita Meher, Murtaza Ali Khan, and Prof. Asha Kuthari Chaudhuri, praised the psychological impression and diversity of Northeast Indian cinema.


Filmmakers expressed gratitude for the recognition, with Ronald Hussain thanking everybody associated in his film, Utpal Borpujari acknowledging the festival’s growth, and Manoj Shinde emphasising the award’s significance for impartial filmmakers. Nathalia Syam honoured the jury, BVFF, and Adil Hussain for the magic at the rear of her film. The pageant expanded its competition types, which includes individual sections for attribute and documentary movies, opening opportunities further than Northeast India. The closing ceremony highlighted a panel dialogue on “Crafting Reliable Narratives” and screened Nathalia Syam’s debut characteristic, “Footprints on Drinking water”, starring Adil Hussain. Pallavi Chumki Barua and Samujjal Kashyap conveyed gratitude to contributors, the jury, sponsors, and audiences.


Acclaimed filmmaker Prakash Jha and producer Ronnie Lahiri presented the awards, celebrating regional cinema’s diversity and affect. The festival’s enlargement to contain attribute and documentary competitions from all of India reflects BVFF’s dedication to fostering a broader filmmaking local community. The function concluded with a panel dialogue and a movie screening.


The function concluded with the presentation of a life span accomplishment award to veteran Assamese actress Mridula Baruah, the felicitation of Dr. Milind Damle and Ketki Pandit for their contributions to filmmaking education, and a vote of many thanks from Pallavi Chumki Barua and Samujjal Kashyap.


The Brahmaputra Valley Movie Competition (BVFF) has emerged as a noteworthy system for cinema in India, playing a pivotal part in fostering the new-age filmmaking movement. The Movie Festival has not only develop into a sizeable party for filmmakers in India but has also solidified its place as a platform that actively contributes to the evolution of cinema, giving a conducive ecosystem for finding out, networking, and inspiration.
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With a 4-working day competition committed to cinema, the considerably anticipated eighth edition of the Brahmaputra Valley Movie Festival (BVFF) captivated viewers in Guwahati from December 14th to December 17th. Following a 3-calendar year split with the onset of the COVID-19 pandemic, the competition was back again with an unbelievable software of documentaries, short movies, and characteristic movies. For the two budding and seasoned filmmakers, the BVFF 2023 promised to be a holistic cinematic knowledge, furnishing a discussion board for instruction, networking, and inspiration.

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Brahmaputra Valley Film Pageant celebrated Indian Cinema and gave their pitches to the OTT giant Amazon Prime


The 4-day festival showcased panel discussions this kind of as “Further than the Large Screen“, moderated by Murtaza Ali Khan, that featured unbiased filmmakers Sanjay Bhutiani and Leena Yadav. They mentioned issues and successes, these as Bhutiani’s “Mukti Bhawan” and Yadav’s Netflix documentary “Property of Secrets: The Burari Fatalities“. The conversation delved into the role of OTT platforms, the significance of viewers assistance, and the money realities of impartial filmmaking. Bhutiani and Yadav emphasised the need for a supportive distribution product in India, showcasing a determination to regional cinema. Inspite of worries, both equally filmmakers expressed optimism for the future of impartial cinema at the ongoing BVFF in Guwahati. Leena Yadav highlighted struggles, even with an Oscar-successful star, for her forthcoming movie “Cowgirl’s Final Experience“.


Ronnie Lahiri, an acclaimed Hindi movie producer of movies like Vicky Donor and Piku, also participated in a panel discussion at the 8th Brahmaputra Valley Movie Pageant. Lahiri emphasised that a blockbuster isn’t just about star electrical power but capturing a universal essence. He highlighted the worth of excellent over box workplace figures, shared insights on prudent film manufacturing, and encouraged Indian cinema to embrace originality. Lahiri also mirrored on his journey, urging new filmmakers to blend impartial tips with professional attractiveness for achievements. Narrates struggles, together with the Mumbai floods of 2005 washing absent his very first movie “Yahaan” and authorized problems with “Shoebite,” prior to finding achievements with “Vicky Donor“.


The 8th Brahmaputra Valley Film Festival (BVFF) marked a historic instant with the inaugural Prime Pitch session in Northeast India. In collaboration with Amazon Primary Movie, the session gained 47 numerous pitches, showcasing the artistic depth of the area. Twelve shortlisted tips were offered to Amazon Prime executives, fostering nearby storytelling and cinematic talent. Amazon’s Sahira Nair praised BVFF for its part in connecting filmmakers and delivering exposure to nearby talent. The party celebrated creativity, emphasising the festival’s vital position in advertising and marketing regional cinema publish-COVID-19. The accomplishment of BVFF and the Primary Pitch session was attributed to the focused attempts of Competition Director Tanushree Hazarika and the organising staff users, including Pallavi Chumki Barua, Samujjal Kashyap, Karma Paljor, and Bjorn Deniese.


Krishna D.K. and Suman Kumar, identified for their profitable world-wide-web series like The Family members Man, participated in a panel dialogue on ‘Mastering the Evolving Landscape of Net-Series’ at BVFF. They highlighted the require for a deep comprehension of topics in net sequence owing to their extended durations. The duo playfully cautioned versus binge-watching, urging viewers to tempo on their own. They delved into the artistic course of action, emphasising collaborative screenwriting and the episodic nature of world wide web series. Raj & DK disclosed their technique for engaging audiences and discussed their exclusive strategy to job collection, emphasising the value of honesty in crafting productive narratives. They also touched on the importance of area context in storytelling. Suman Kumar highlighted that screenwriting is a collaborative effort and hard work, transforming phrases into charming visuals and performances.

| 
 |

Binge Looking at is a terrible routine-Masterclass by movie director Krishna D.K


Krishna D.K. pointed out Citadel India, starring Varun Dhawan and Samantha Ruth Prabhu. Suman Kumar spoke about his directorial debut, Raghu Thatha, a Tamil movie about a woman’s struggle against patriarchy. Krishna D.K. recommended BVFF for championing cinema in Northeast India and delivering a platform for varied voices, expressing gratitude to Pageant Director Tanushree Hazarika.


The 3rd working day of the Brahmaputra Valley Movie Festival (BVFF) featured screenings of classics like Satyajit Ray’s “Joy Baba Felunath” and modern films like Shivadhwaj Shetty’s “Koramma” and Pranab Jyoti Sharma’s “Ojah the Rhythm of Life.” Documentary screenings incorporated Utpal Borpujari’s “Mask Art of Majuli” and Bobbeeta Sharma’s “Jnanada: Reflections of Light-weight and Shade”.


Engaging Q&A classes with filmmakers titled “Assamese Cinema and its Industrial Potential.” Contributors: Jatin Bora, Utpal Borpujari, Barsha Rani Bishaya, Monjul Baruah, and Shyam Bora.


Moderated by Nandini Sharma, the discussion explored challenges and alternatives for Assamese cinema and available insights into creation details and themes.Krishna D.K. performed a masterclass on “Binge Deserving Stories: The Art of Prolonged Format World-wide-web Series” Ketki Pandit’s masterclass explored “Personal to Universal: The Journey of Lived Encounters to Screen. Presented two shorter films: “Pehla Cycle” by Ritika Chauhan and “Hymns of the Forest” by Pratik Maitra. Dr. Milind Damle continued the workshop on ‘Introduction to Filmmaking,’ featuring comprehensive insights into various facets of film output.


Working day 3 highlighted cinema’s ability to transport audiences, spark meaningful conversations, and encourage creativity. Various choices and insights from business specialists left the audience enriched and eager for more.


The pageant also hosted acclaimed filmmaker Prakash Jha, who executed an illuminating masterclass, sharing insights into his cinematic journey and philosophy. Originating from Bihar, Jha reviewed his determination to portraying societal narratives, recalling the ban on his documentary “Faces Following the Storm”. Emphasising cinema’s interdisciplinary mother nature, he described it as an assimilation of sciences and arts. Jha resolved worries in socio-political filmmaking, stressing the enduring power of dialogue and inventive expression. By highlighting collaborative filmmaking, he inspired diverse perspectives. The masterclass celebrated the steady evolution of films, inspiring attendees to have interaction in impactful storytelling.


The festival concluded with a tribute to late actor Jayanta Das and showcased impactful movies like “Follower” and “Nine Hills 1 Valley”, addressing societal and regional problems. The closing ceremony honoured actress Mridula Baruah with a Life span Achievement Award. Awards have been presented for Ideal Brief Movie, Most effective Documentary Movie, Best Director, and Greatest Characteristic Movie. The festival’s enlargement integrated separate competitions for feature and documentary movies, fostering range. BVFF ended with a panel discussion and the screening of “Footprints on H2o,” promising foreseeable future cinematic enrichments.


The 8th Brahmaputra Valley Movie Competition (BVFF) concluded with a fascinating awards ceremony, celebrating excellence in numerous groups. Ronald Hussain obtained the Greatest Short Film award for “Sneakers (Neela Joota)”, while Utpal Borpujari gained Best Documentary Movie for “Mask Art of Majuli”. Manoj Shinde was honoured as the Ideal Director for the Marathi film “Valli”, and Nathalia Syam’s “Footprints on Drinking water” secured the Very best Feature Movie accolade. The esteemed jury panel, which includes Utpal Datta, Rita Meher, Murtaza Ali Khan, and Prof. Asha Kuthari Chaudhuri, praised the psychological impression and diversity of Northeast Indian cinema.


Filmmakers expressed gratitude for the recognition, with Ronald Hussain thanking everybody associated in his film, Utpal Borpujari acknowledging the festival’s growth, and Manoj Shinde emphasising the award’s significance for impartial filmmakers. Nathalia Syam honoured the jury, BVFF, and Adil Hussain for the magic at the rear of her film. The pageant expanded its competition types, which includes individual sections for attribute and documentary movies, opening opportunities further than Northeast India. The closing ceremony highlighted a panel dialogue on “Crafting Reliable Narratives” and screened Nathalia Syam’s debut characteristic, “Footprints on Drinking water”, starring Adil Hussain. Pallavi Chumki Barua and Samujjal Kashyap conveyed gratitude to contributors, the jury, sponsors, and audiences.


Acclaimed filmmaker Prakash Jha and producer Ronnie Lahiri presented the awards, celebrating regional cinema’s diversity and affect. The festival’s enlargement to contain attribute and documentary competitions from all of India reflects BVFF’s dedication to fostering a broader filmmaking local community. The function concluded with a panel dialogue and a movie screening.


The function concluded with the presentation of a life span accomplishment award to veteran Assamese actress Mridula Baruah, the felicitation of Dr. Milind Damle and Ketki Pandit for their contributions to filmmaking education, and a vote of many thanks from Pallavi Chumki Barua and Samujjal Kashyap.


The Brahmaputra Valley Movie Competition (BVFF) has emerged as a noteworthy system for cinema in India, playing a pivotal part in fostering the new-age filmmaking movement. The Movie Festival has not only develop into a sizeable party for filmmakers in India but has also solidified its place as a platform that actively contributes to the evolution of cinema, giving a conducive ecosystem for finding out, networking, and inspiration.
